readers LUX LITERARY MAGAZINE
discoveringdavinci:

A page from Leonardo’s notebooks. Forster Codex -Volume 12, 91 (Verso)
slaughterhouse90210:

“ I am awed by her silences and her excited speech, her darkness, her self-possession. The completeness of a child is the most fragile and powerful thing in the world. A child’s confidence is the world’s wonder.”—Teju Cole, Every Day Is for the Thief

HEY BARD

TODAY IS THE DEADLINE TO SUBMIT TO LUX!
Please send us your work by the end of the evening! And if you’ve already submit but have any last minute work you might want to send our way, feel free to do so!! All work should be sent in an attachment, preferably a word document for any written works and .jpgs and other image files ATTACHED TO THE EMAIL, it is very inconvenient for us as editors to have to drag images out of an email and it lowers the image quality :( Please include the titles of your work and the include the medium or type of writing as well e.g., experimental prose, play, essay, non-fiction, film stills, mixed media, etc. If you have any questions or want to submit us your work but don’t quite have it ready yet, please email us by Friday! 
LUX@BARD.EDU

Thanks folks! We look forward to looking at all of your work and putting together a great Spring 2014 issue!

All the best,

LUX

When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again. You have started at six in the morning, say, and may go on until noon or be through before that. When you stop you are as empty, and at the same time never empty but filling, as when you have made love to someone you love. Nothing can hurt you, nothing can happen, nothing means anything until the next day when you do it again. It is the wait until the next day that is hard to get through.
written by Ernest Hemingway, on his daily writing routine

(Source: violentwavesofemotion)

11 notes
bardlux:

Bard folks! It’s time to start wrangling your writing and art portfolios together to submit your work to Lux for the spring issue! As usual, we ask that all text and image files be sent in an attachment—for formatting sake, we would prefer if you did not simply copy and paste your poetry into an text box. For artwork, send us the highest quality file you can, so when we publish, all the art will look beautifully crisp and clean. Submissions and any questions you may have should be sent to our email: lux@bard.edu. 
The deadline is April 1st! So if you’re interested in submitting it’s time to start sending is your work! We eagerly await your submissions :)


DEADLINE IS NEXT WEEK, GUYS! SEND IS YOUR WORK :)
gothiccharmschool:

Edward Gorey’s Fantod Deck. 
1,099 notes
#art 
heteroglossia:

Herbert Bayer, Diagram of the Field of Vision

LACK-TOLD SLANT
at Pub Faire, 2/28/14

I’m so sorry for the really bad quality of this video, but Felix rocks and it was amazing to watch them preform this song with a trash can for a drum.  

Bard folks! It’s time to start wrangling your writing and art portfolios together to submit your work to Lux for the spring issue! As usual, we ask that all text and image files be sent in an attachment—for formatting sake, we would prefer if you did not simply copy and paste your poetry into an text box. For artwork, send us the highest quality file you can, so when we publish, all the art will look beautifully crisp and clean. Submissions and any questions you may have should be sent to our email: lux@bard.edu. 
The deadline is April 1st! So if you’re interested in submitting it’s time to start sending is your work! We eagerly await your submissions :)